snowy mountain landscape, expressive style

Era of Transition

From December 9, 2025, we will be presenting a temporary exhibition of Chinese painting from the 19th and 20th centuries in the East Asia exhibition.

 

In the past two centuries, Chinese painters were looking for ways to modernize the tradition of Chinese painting. In the 19th and 20th centuries, trade and colonialism brought Imperial China into increasingly frequent contact with European countries. As Europe embraced artistic modernism, Chinese painters grappled with a question: how could they balance traditional legacies with emerging styles? Responses varied: some integrated European techniques, while others upheld traditional methods. Moving beyond the binary of Chinese and Western paintings, it was an era marked by stylistic pluralism, reflecting a dynamic interplay of visual languages under a common wish to bring ink paintings to the wider world.

The selection of 20th-century Chinese paintings curated by Hiu Yeung Chan (Transcultural Studies, Heidelberg University) features works by renowned artists, including Qi Baishi, Xu Beihong, Huang Binhong, Li Keran, and Liu Guosong, who made influential contributions to the transformation of the Chinese art scene in the 20th century.

Here we present a few of the works on display.

expressionistisch inspirierte Kiefer
Pine Tree, Li Keran (1907–1989), 20th century (detail)

The pine tree symbolizes longevity and endurance. Li Keran is known for his dramatic contrasts between light and shadow, which lend his works a powerful expressiveness and are inspired by Impressionism. He is considered one of the most important Chinese artists of the second half of the 20th century and influenced an entire generation of Chinese artists at the Central Academy of Fine Arts.

Zeichnung Pferd
Grazing Horse, Xu Beihong (1895–1953), dated 1938 (detail)

Xu is one of the most influential artists of the 20th century in China. He became famous above all for his powerful depictions of horses, which were often interpreted as allegories for the longed-for resurgence of the Chinese nation, humiliated by colonialism.

Kranich auf einem Kiefernast
Crane on a Pine Branch, Qi Baishi (1864–1957), first half of the 20th century (detail)

The hanging scroll depicts a white crane standing on a gnarled pine branch in a sketchy style. Cranes and pine trees are popular motifs in traditional Chinese art, usually symbolizing the desire for a long life.

Curators

Dr. Georg Noack, braun-rötliche Haare, Vollbart, schwarzer Pullover mit Kragen

Dr. Georg Noack

Tel. +49.711.2022-408
Mail noack
@lindenmuseum.de

Logo des Linden-Museums

Hiu Yeung Chan

Tel. +49.711.2022-430
Mail nazaruk
@lindenmuseum.de