LindenLAB 1

Blick auf die Präsentation von LAB 1 im Dauerausstellungsraum. Links befindet sich eine bodentiefe Vitrine, in der traditionelle Kleidung der Kayan und Kayaw gezeigt wird, im Hintergrund rot lackierte Panele mit Text und kleinere Vitrinen mit Objekten

Indigenous groups have often been repeatedly marginalized by precolonial empires, colonial powers, and postcolonial nation-states. Threatened by poverty and wars, they often sold their cultural goods. How can museums, as keepers of these collections, contribute to the strengthening of such societies today?

LindenLAB 3

verschiedene Körbe und Handtaschen (Kete) aus Pflanzenfasern und bunten Federn

LindenLAB 3: Across Time, Place and People Whakawhānaungatanga – Connecting taonga Māori Since the end of the 19th century, nearly 150 Taonga Māori (Treasures of the Māori) from Aotearoa New Zealand have entered the Linden Museum’s collection. Clothing, jewelry and […]

LindenLAB 8

Präsentation LAB 8: Im Garderobenraum des Museums steht eine rosafarbene Tafel mit der Frage "Welche Rolle spielen wir für die Menschen in Stuttgart?", an der Tafel sind zwei Bildschirme befestigt

LindenLAB 8: What remains? – Insights for the future of the Linden-Museum Laboratories are experimental fields of utopian thinking. In seven LindenLABs on the topics of provenance, participation and presentation, we have tried out a lot over the last four […]

LindenLAB 7

Präsentation von LAB 7. In einer königsblau gestrichenen Vitrine mit abgerundetem Fenster stehen zwei Figuren, bekleidet mit Zeremonialtrachten der Mapuche

LindenLAB 7: El “buen vivir” mapuche What is a “good life”? At the center of LindenLAB 7 is the contemporary silver jewelry made by silversmiths Millaray Garrido and Mario Cayupi, with the accompanying costumes of two ritual assistants (ñangkan) of […]

LindenLAB 6

Blick in den Ausstellungsraum von LAB 6. Es hängen weiße und türkise Banner mit Text von der Decke, vereinzelt stehen Vitrinen mit Objekten aus Kamerun dazwischen

LindenLAB 6: Traces from the depot – A search for future of history LindenLAB 6 shows – for the first time in the “recent” history of the Linden Museum – a selection from the […]

Gentle Glory

Prinz der Weisheit – The Many Stories of a Bodhisattva in Stuttgart – One-object exhibition in the South Asia Gallery In the 11th century, unknown artists in western Tibet made a magnificent brass sculpture […]

Benin: Restitution as a process

Reliefplatten aus dem Königreich Benin

With a presentation in the upper foyer, we trace the historical path of the objects from the Kingdom of Benin to the Linden-Museum, visualize milestones in their return to Benin City and present perspectives on their future.

Of Love and War

Of love and war – Tamil (Hi-)Stories from India and the World The exhibition shows the history and present of Tamil culture. Over 80 million people in India, Sri Lanka and other parts of […]

Oceania – Continent of Islands

Malagan-Skulptur eines Menschen, der von einem Fisch verschlungen wird

Default title Default title Oceania – Continent of Islands Ever since humans discovered and settled the islands of the Pacific thousands of years ago, there have been many connections between the widely scattered land masses in the world’s largest sea. […]

Maya-Code

Ausstellungsposter Maya-Code

Maya-Code December 21, 2012 – June 2, 2013 December 21, 2012 was a special date: many saw the end of the world on this day, referring to the exact Mayan calendar. In fact, on this date the calendar records the […]