Sunday, 21 September, 4 pm
Sunday, 21 September, 6 pm

Reservation: Tel. 0711.2022-444, anmeldung@lindenmuseum.de
Limited number of participants!

More about the participants:

Emilia Dorr (born 1992) is an Argentine choreographer and performance artist who has been living in Stuttgart since 2021. She completed her studies in choreographic composition with a focus on physical expression at the National University of the Arts (UNA) in Buenos Aires and holds a master’s degree in theory and practice of experimental performance from the Stuttgart University of Music and Performing Arts (HMDK). Emilia Dorr’s work is in the field of interdisciplinary performance. Her research focuses on “entering into relationships” in contexts in order to inhabit otherness and create a shared experience with the audience. Her performances have been presented at many festivals, including the JETZT! Festival KulturRegion Stuttgart 2024, the Stockholm Fringe Festival 2024 – where her piece Ways to Dig Up the Mountain was nominated for the Best Theater and Spoken Word Award – and the CURRENT Festival 2023. In addition to her own projects, Emilia Dorr works in production and performs for other artists, including choreographer and performance artist Tino Sehgal, performance duo Herbordt/Mohren, and American composer and performer Jessie Marino. She was artist-in-residence at the 10 Tage Freischwimmen 2024 festival and, together with her colleague Tyler Cunningham, received project funding in the field of performing arts 2024 from the Cultural Office of the City of Stuttgart.
https://emiliadorr.wixsite.com/emiliadorr

Tyler Cunningham is a performer, researcher, and percussionist based in Stuttgart. He is co-founder of PROMPTUS Collective, a New York-based performance collective focused on exploring and cultivating transdisciplinary practice, and Nothing Else Left to Read (NEL2R), a Toronto-based collective focused on developing improvised long-duration works. He has presented his work at Fluxus Fest (NYC), Arts on Site (NYC), LOD muziektheater (Belgium), Flatpack Festival (Birmingham, UK), 7MPR Themed Dance Theatre (NYC), MISE-EN PLACE’s Open Bushwick Studios (NYC), and Ensemble Studio Theatre (NYC). He was a participant in the 2023 International Forum at the Theatertreffen and was artist-in-residence at 6 TAGE FREI 2024 at Theater Rampe. Together with Emilia Dorr, he received project funding in the field of performing arts for 2024 from the Cultural Office of the City of Stuttgart. Tyler Cunningham received his Bachelor of Music from The Juilliard School, where he was honored with the John Erskine Prize in Scholastic and Artistic Achievement, and his Master of Music from the University of Toronto.
www.tylercunningham.me

Marina Mihalchuk, born in Belarus, currently works as a freelance director and dramaturge. She studied theater studies at Ludwig Maximilian University in Munich. There she made her directorial debut and was also active as an actress and dramaturge. In 2022, she staged a play at the Schauspiel Stuttgart based on letters from political prisoners about the politicization of Belarusian society: 18 Letters and a Fable from Belarus. These letters are recited by women who have fled Ukraine. Her latest production, Das Eberfest (The Boar Festival) at Theater Rampe with artists from the Kupalauski Theater in exile, addresses the absurdity of the political system in Belarus. Marina Mihalchuk participated in the international forum of the 2023 Theatertreffen. As a dramaturge, she supervised the performative musical installation Virucide, which took place in the Deaconess Bunker in Stuttgart. She was artist-in-residence at the 10 Tage Freischwimmen Festival 2024 at Theater Rampe.

Carlos G. Hernández (born in Mexico in 1990) lives in Stuttgart as a composer. He studied with Mark Andre, Clemens Gadenstätter, and Martin Schüttler, among others. His work consists mainly of instrumental, multimedia, installation, and electronic pieces that have been performed by ensembles and musicians such as the SWR Symphony Orchestra, the Dresden Philharmonic, the Ensemble Ascolta, Séverine Ballon, Nico Couck, and Felix Nagl, as well as at venues such as the Stuttgart State Opera, Hellerau Dresden, the Palacio de Bellas Artes México, and the DiMenna Center in New York. In his music, he is particularly interested in the relationship between time and sound and the resulting expressive qualities, as well as musical forms that combine different styles, genres, or disciplines.
www.carlosghernandez.com

Felix Glawion is a German stage and costume designer known for his minimalist, abstract approach. Born in Pflaumheim (Bavaria), he studied at the Academy of Fine Arts in Stuttgart before pursuing a career in theater, film, and television. He has worked at theaters such as the Schauspiel Stuttgart, the Stadttheater Aschaffenburg, the Stadttheater Ingolstadt, and the ADK Ludwigsburg. He has also realized projects for ARTE and SWR. Glawion has collaborated with directors such as Yana Eva Thönnes, Jan Moritz Müller, Paul Auls, and Emma Mae Zich. His designs create simple, abstract spaces and figures, with light playing an important role in shaping the atmosphere. His works are characterized by their clarity and focus on the essentials.

www.felixgla.com